Recently I stumbled upon an article saved in my bookmarks since 2015. The article is entitled “Female Pain: Living with an Illness That No One Believes In” this led me on to another similar article from the same online magazine “One Third of Women are Living in Sexual Pain that is Ruining Their Lives” and then finally onto this one “How Doctors Take Women’s Pain Less Seriously”.
I began to think about my own personal experience with the health service in the United Kingdom, and with the upcoming election my Facebook is flooded with meme’s trying to persuade me to “Vote to Save Our NHS” I begin to recount the positive and negative experiences I’ve had with both private and government run healthcare.
While the articles above are interesting, they’re all anecdotal. I have had similar, what I would consider poor, experiences when it has come to my gynaecological and mental wellbeing in the past, but the attitudes of doctors and nurses I have met has varied widely. I decided to look further into whether there is a genuine disparity between men and women’s treatment – and particularly if women’s health is taken “less seriously”.
Continue reading “The Girl Who Cried Pain”
In my final year at University I created a three channel video installation surrounding the theme of Cam-Girls. For those that are not familiar Cam-Girling is a form of online sex work. Patrons of various websites watch Cam Models performing sexually explicit acts, the users of sites pay the models per minute, or via tips and paid private sessions. You can also pay for their social media videos and links such as SnapChat/Skype etc. These sites have grown increasingly more popular as the internet proliferates, and with the developing demand for instant gratification the sites have become a niche area of the porn and sex work industry. These sites have also become a place of artistic inspiration, (I fully include myself in this category) with artists such as Dye Lindsey who uses CamGirling as not only as a means of funding her Art Degree but also as a form of inspiration for her artistic practice.
My project entitled “Cyber Feminist Manifesto” attempted to infiltrate this subversive world. I reenacted famous feminist performance pieces from throughout contemporary art history. I performed these on a popular Cam Girl website, aiming to investigate firstly the public reaction to these performances, but to also gather evidence about the psychological effects of use of these sites for both the client, and the performer. This project was for my Degree show, for which I received a 1st and an award from the South Korea University of Seoul for my creativity and concept. If you are interested in the artistic concept and the evidence supporting that concept, I suggest you check out my other blog.
Continue reading My experience in the subversive world of cam-girls and the psychological consequences.
I have just finished reading Alice D. Dreger’s extremely thorough account of the historical events that led to the brutal controversy of J. Michael Bailey’s book ‘The Man Who Would Be Queen: The Science of Gender-Bending and Transsexualism. I do own a copy myself, but it was one of those books I got half way through, misplaced and then forgot to pick back up – despite how interesting I found its contents. This essay by Dreger has reignited my interest in the book and added a considerable layer of context surrounding it’s backlash. I have now revived my copy and look forward to finishing it with a better understanding of its historical and societal context.
Continue reading “For my children. May they learn life’s hardest lessons from books” – The Controversy Surrounding The Man Who Would Be Queen.